2011 Regina Folk Festival

So the 2011 Regina Folk Festival came and went and my body has FINALLY adjusted back to some semblance of normality again. The Folk Festival is hands down my favourite time of the year here in Regina... and this year was definitely one of the most solid top-to-bottom lineups in recent memory. Plus, I was lucky enough to have the privelege of cohosting one of the daytime side stages, so I had a pretty cool perspective compared to previous years. I have to give some major kudos to Sandra Butel and company for putting together such an incredible lineup. It was definitely tons of fun!

So without further ado, here are some of the highlights for me this year...

FRIDAY

The day began with an hour set during the lunch hour by e.s.l. These ladies put on a really solid set of cabaret and chamber pop tunes. Leader singer Marta Jacukieck-McKeever has a stunning voice. Plus their version of the Beastie Boys' "Girls" (sung by Cris Derksen) was a really fun way to get the ball rolling.

Grant Lawrence was once again the consummate entertainer, MCing the main stage again on Friday. I think it's safe to say that the former Smuggler is one of the coolest people in Canada. The guy is just effortlessy charismatic. And he's a heck of a nice guy to boot.

Fred Penner transported me back to my childhood with his mainstage kickoff set. You'd have to be pretty hardened not to get a kick out of his rendition of "The Cat Came Back." And the dude hasn't aged much since I was just a wee lad. Definitely an impressive set.

Shotgun Jimmie only had a teaser set, but he made the most of his 15 minutes. He's a natural storyteller and incredible songwriter. I'll definitely check out his full show next time he swings through town.

Braids' brand of dream pop sounded pretty phenomenal. The emphasis with this Quebec is definitely on experimental atmospherics. If you imagined the most mellow tunes from Stars combined with some Bjorkesque vocals, you'd have a rough idea of what this band's all about. They're definitely a band you have to take the time to absorb.

Andrew Bird put on an absolutely captivating performance. Using a loop pedal, Bird created some ethereal soundscapes with his violin and guitar. He definitely had the crowd transfixed.

Michael Bernard Fitzgerald only had a teaser set, but he certainly won over the crowd with his witty banter, soulful voice and mellow tunes. He would definitely be worth shelling out some hard earned moolah next time he hits town.

KT Tunstall absolutely blew me away. Obviously she is famous for her huge pop hits "Black Horse and the Cherry Tree," "Other Side of the World" and "Suddenly I See," but she put on a consistently thrilling and energetic set. Joined only by a bass player and a drummer, Tunstall wowed the crowd with her raspy voice, showmanship and solid musicianship. I was expecting a good show, but she definitely surpassed my expectations. She was one of the highlights of my weekend and a great way to close out Friday night.

SATURDAY

During the daytime, I got to catch some pretty cool performances and workshops. Zachary Lucky kicked things off with a solid set of Townes Van Zandt-esque tunes. This was followed by an amazing workshop hosted by Marshall Burns of Rah Rah and also featured the insanely talented (and fellow Tom Waits geek) Jeffrey Straker, Shotgun Jimmie and Grant Lawrence (who read excerpts from his book Adventures in Solitude). I can't lie... getting the chance to share the mic with Mr. Lawrence made me pretty giddy.

Shotgun Jimmie did a fantastic job of MCing the mainstage Saturday night. He's totally a natural for such a job. I think he could have a job with the CBC some day down the road.

Dan Mangan put on a phenomenal show, kicking things off in a perfect way. Getting the crowd to sing along to "Robots" in the pouring rain was quite the feat. But when a song is that good, it was pretty easy for the crowd to handle the downpour.

Jeffrey Straker put on a really entertaining show during a teaser set. His brand of cabaret pop went over really well with the crowd. He's another act I'll have to see when he's in town to do a full show. But anyone who digs Tom Waits can't be that bad, right?

Marco Calliari was quite possibly my favourite artist of the weekend. If you imagined a somewhat more subdued, yet more uplifting Gogol Bordello then you'd have a rough idea of Calliari and his band. Him and his tight band had the crowd in the palm of their hands. I think the entire crowd had perma-grin during the whole set. I know I did. Every year there is one artist I've never heard of who comes out of nowhere and captures the Festival flag. For 2011, it was definitely Marco Calliari. I really hope he hits The Exchange sometime soon. Wowza.

Hey Ocean! put on a brief teaser set (which I missed), but I got to see them put on a full show on Sunday during the day. This band has tons of fun, uptempo pop tunes and put on a great show. (And the lead singer isn't exactly too hard on the eyes.)

I'm not the biggest blues fan out there, but I was definitely taken to school by Taj Mahal. The guy is a legend and just has the indescribable IT that the greats possess. Mahal absolutely wails on the guitar and his passion and energy just resonates with people. I was completely blown away by his performance. This was a performer who I wasn't too interested in seeing at first... but he totally won me over. That's the beauty of a festival like this one.

k.d. lang and the Siss Boom Bang finished off the night. To be honest, I wasn't overly impressed. It goes without saying that lang has one of the finest voices out there. And her version of Leonard Cohen's "Hallelujah" was transcendent. In fact, the hairs on the back of my neck were on end for that song. However, I found the rest of her set to be full of subpar, midtempo material. Perhaps it was just my fatigue kicking in, but her set definitely didn't fit my mood. I think some of my disappointment came from me expecting her to throw in a couple of her Reclines era country rave-ups. Oh well, you can't win 'em all I guess.

SUNDAY

The daytime consisted of an amazing set of performances and workshops. The highlights for me consisted of Hawksley Workman (who was joined by Indigo Joseph and Michael Bernard Fitzgerald) jamming out during a workshop on a packed Scarth Street. As one of the MCs, I was dumbstruck after the performance, struggling to find the right words to describe what just transpired. I think I said something to the effect of "Wow... that was so cool." Not the most eloquent description, but I think it suited the mood. It was quite the jam to say the least. Sometimes all you can say is "wow." Hawksley has that effect on people. There was also another incredible workshop consisting of Library Voices, Rah Rah and Indigo Joseph. It was pretty awesome seeing some of Regina's best bands getting together and jamming together.

Fred Penner did a great job of MCing the main stage. The guy is definitely a pro. The Hard Ramblers put on a short but sweet teaser set of their fun "outlaw bluegrass." Library Voices are used to playing dark club shows, but they absolutely owned the big outdoor stage. Playing some selections from their upcoming album Summer of Lust along with earlier favourites like "Step Off the Map and Float," this Regina band once again showed that they can proudly stand side by side any band out there. They've got an endless supply of incredibly well written tunes, and tons of energy and charisma. It's pretty cool to see a local band become one of the highlights of the festival.

Coeur de pirate put on a fun show of cute, keyboard driven, happy-go-lucky pop tunes. She is so bubbly that I just had this urge to pinch her cheeks afterwards. After a teaser set by Fred Penner, Hawksley Workman closed things out with a stunning set. Joined only by a keyboard player, Workman showed why he's without a doubt one of Canada's most talented musicians. Since he didn't have a full band, Workman was free to tell bardic tales and rework some of his better known tunes like "Jealous of Your Cigarette." I would seriously pay good money just to see him tell stories and banter with the crowd. The guy just oozes talent and charisma. He's like the Prince of Canada.

From top to bottom, the 2011 edition was easily one of the best lineups of the Folk Festival in recent years. Once again, there was an incredibly positive vibe that emanated from the performers and the crowd. It's definitely money well spent for a pass. 2012 can't come soon enough! And maybe, just maybe, they'll book Tom Waits to perform. :-)

T.B. Judd - Hometown Bar

T.B. Judd is a side project of multi-instrumentalist Judd Stachoski (Bystanders/Dustin Ritter Band/Black Drink Crier). Hometown Bar is a six song EP in which Stachoski wrote entirely himeself. He shows his talent and versatilty by recording all the instruments himself on the record. Hometown Bar is a fine record that was produced and engineered by Orion Paradis at SoulSound studios here in Regina.

The ever eclectic songwriter known simply as Judd on posters around town has blended his natuaral songwriting abilites with demostrating a great amount of respect for one of his influences, Tom Waits. The record starts with a storytelling song 'Hometown Bar,' which is a great example of this brand of bluesy singer/songwriter stylings. In 'Hometown Bar' I picture everything the vocalist is saying, just as I do when I here 'A Boy Named Sue'. That's true talent. Next on the docket is the eerie accordian number 'The Baiton House'. I think I'd be looking behind me if I was listening to this on a dark walk home. I've heard Judd perform songs before that are similar to the next folky ditty entitled 'Roots'. Those songs are a real treat and this one is as well. It's nice break about home and the land we live in before going into the next number. 'Cant' Do This Anymore' goes back to a more theatrical sound. The last two tracks have a more stripped down feel. The first being a story song 'Forest Groans' followed by 'High On The Mountains' which is a bare bones banjo number.

Hometown Bar is a fresh 6 song EP with strong, well written songs. If you are are a fan of roots, folk, blues, singer/songwriter or just great handcrafted songs then this records is for you. Do yourself a favour and pick up a copy.

http://www.myspace.com/tbjudd

Cheers Rockers,

WINNING AMERICA - The Story of a Canadian Band Trying To Make It In The States.

Here at SPUN, we write about many bands that peak our interests (and the odd one that doesn't. We're looking at you Nickelback...) However, the main goal has always been to promote bands (typically Canadian and from the 'Vag) that some of us may know about but deserve much more exposure. Well, Vancouver's Said The Whale is attempting to break the potentially huge American market at one of the biggest and most iconic music cities in the world: Austin, Texas at SXSW. The CBC decided to document the process of this amazing band trying to make their name south of the border...

Here is what CBC had to say about the documentary:

WINNING AMERICA

The Story of A Canadian Band. Trying To Make It In The States.

This CBC Documentary follows Vancouver band Said The Whale to South by South West Festival (SxSW) in Austin, Texas. It’s a true story about the hardships and successes of a touring band trying to make it at the biggest music festival in North America.

Produced by Jon Siddall (CBC Radio 2) & Brent Hodge (CBC Radio3)

Directed by Brent Hodge (CBC Radio 3) & Thomas Buchan (Battle Of The Bagpipes,Hope)"

Please do yourself a favour and check out the trailer and live clip below.

Said the Whale Live Performance Video:

Cheers!

Frankie Whyte and the Dead Idols - Wastedland

It's no secret I dig Frankie Whyte and the Dead Idols. I have been following this kick ass rock 'n' roll band since March of 2008 when I was Myspace surfing for new bands to check out. I stumbled across them and I really dug what they were doing right away; a blend of the old and the new. Fast-forward to 2011 and I am still checking out the new updates of FWDI.

Frankie and her Canadian merchants of noise recorded and put out a solid self titled EP back in '08. That record got a lot of play around my place. However, it was only to be the start. The band has really hit their stride in the last couple years. It started with 'Bullets' and 'Right There' and I didn't think they could top 'Right There'. That being said, they knocked it out of the park with their first official video for 'Keep on Walkin''. When I thought that was going to be the pinnacle, they prove me wrong with their latest cunning stunt: their brand spanking new single for 'Wastedland'. 'Keep on Walkin' was/is a killer anthemic rock 'n' roll song and so is 'Wastedland'. Written by FW, Simon Wilcox and Aaron Kamin (The Calling) and shot in June of this year, one should note that 'Wastedland' takes their sound, songwriting skills and musicianship to the next level. It's this kind of effort that will be the key that should lead them to being arena rock sensations. This heavy pop 'n' roll song has hooks left and right that will be stuck in your head for days. You know it's a good song when it becomes an instant sing-a-long. Wastedland is tough and graceful, has rippin' riffs, a pretty melody with a big chorus.

FWDI seem to up the ante each time they lift a finger. I don't know what will be on a full length record when it comes out but one has to know at this pace, it's got to be a sure fire hit.

Check it below. I have had it on repeat for over a week.

Cheers Rockers,

Free Download (valid until July 21) http://wastedland.viinyl.c​om/

Lindi Ortega - Little Red Boots

10 years after her debut album, Toronto's Lindi Ortega seems ready to finally break through and gain the commercial attention she deserves. I stumbled upon her music on MySpace (remember MySpace?) three or four years ago and was instantly taken in by her stunning voice. This woman could sing the phone book and the crowd would be transfixed. I hate to make comparisons, but Ortega's pipes are a beautiful blend of Dolly Parton, Jeff Buckley and Emmylou Harris.

Aside from her mesmerizing voice, Ortega proves that she is one helluva songwriter with Little Red Boots. From start to finish, this album is pretty much flawless. The predominant feel is rootsy alt-country, with a bit of bluegrass, folk and blues thrown in for good measure. You can tell that Ortega's record collection includes plenty of old school country artists like Dolly, Waylon, Willie, Johnny and Merle. (It's sad that real country nowadays is referred to as "alt-country" while Taylor Swift and Shania Twain are "country." But I digress.)

Album opener "Little Lies" is an uptempo country stomper, complete with some killer stand up bass. "Blue Bird" is a fun, rollicking 2 minute bluegrass number with some impressive banjo picking throughout. "Angels" is a breezy, midtempo, rootsy tune that'll stick in your head for days, much like the rest of the album. "I'm No Elvis Presley" is a firecracker of a tune that is self-deprecating, yet manages to raise the middle finger to her detractors ("I'm no Elvis Presley, so who the hell are you?"). I'm pretty sure anyone who has stepped onstage can appreciate this song.

Ortega's 12 original tunes would make an incredible album by itself. However, she closes the album with an absolutely transcendent version of my favourite Bruce Springsteen song, "I'm On Fire." If your heart doesn't melt and the hairs on the back of your neck don't stand after hearing this version, then we can never be friends. This is hands down one of the finest recordings I've heard in years. Period. What a perfect closer to a pretty perfect album. This is easily one of the top 5 best albums of the year so far. And in a year that's seen releases by PJ Harvey, R.E.M., The Strokes, Steve Earle, etc, that's saying a LOT.

You can check out her video for "Angels" and a live version of "I'm On Fire" below.

No Fly List – Blaze On

I recently acquired a No Fly List record called ‘Blaze On’. It’s a rock’n’roll record that was released by the Ottawa trio this past April. Originally starting as a jam band, the No Fly List quickly had momentum building around their area. They have been playing local venues, which originally consisted of showing up for open mic nights. It quickly turned into a serious band selling out Irene’s Pub in Ottawa for the release of their debut record.

Blaze On is a rock’n’roll record, and a solid one for sure. It opens with ‘4 Chords Away,’ which is a very Canadian song. Think 54-40 meets Blue Rodeo. It’s rockin’ and hooky with fun riffs all over the place. Next up is a really smooth transition into ‘A Secret Amongst Friends’. To me, it’s the mellower singer/songwriter sister of the first track. Next is ‘Shock Therapy’, and it’s the tastiest track on the record. It’s definitely the danciest. Almost at the midpoint of the record is ‘Up For Air’ which is an instrumental ditty reaching just over a minute in length. I would describe it as atmospheric, classical pop. Following this is ‘Ambush,’ an acoustic lament turned shoegaze-style song that is almost epic in quality. It’s nice how the clean guitars mesh with distorted guitars. It never gets out of control which is good. It’s not too much and stays within the realm of what it should be. The next three songs stay on the mellower side of things with ‘Blaze On’, ‘Upstate’ and ‘Ambush (Reprise) which are all good songs in their own right. ‘Self Discipline’ picks it up again with a fun feelin’ bass heavy rock track. Lastly is a track which showcases the band's musicianship and songwriting abilities.

Overall ‘Blaze On’ is a strong debut record from the No Fly List. I really think their strengths lie in their alternative rock’n’roll style of songs. That being said, the songs on the lighter side still hold their own. I can only imagine that the No Fly List puts on a hell of a show. One could expect that the rockin’ tracks are full of energy and the mellower ones are as captivating as all hell.

Highlights: 4 Chords Away, A Secret Amongst Friends, Shock Therapy and Self Disciplined

I look forward to seeing the boys in action. If you are in the Ottawa area you are in for a treat because you can do just that. The No Fly List play at the Elmdale Tavern on June 30th located @1084 Wellington St W in Ottawa with Life in 2D opening.

Cheers Rockers,

www.noflylistmusic.com
www.facebook.com/noflylist
*listen here: http://noflylist.bandcamp.com/album/blaze-on

The Criminal Kid: It Isn’t Enough

I have known of The Criminal Kid for some time but just haven’t had the chance to see them. I have wanted to, it’s just one of those things. This past Saturday I went to the Artesian see a local band ‘Chad Kichula and the Douglas Avenue Garage Band.’ While Chad put on a good show, I was disappointed to find out the CK had opened and I had missed it. I was however fortunate to run into the bass player of The Criminal Kid, Jeremy Pilon and received my copy of the bands ep ‘It Isn’t Enough’.

The Criminal Kid I am told, have transformed into something different than what they originally set out to be. Having known a couple of the members previous projects, when I am told they used to be a band that was on the hard side and toned it down and become more a rock’n’roll band I knew exactly what they meant. The Criminal Kid can only be described as that band you never knew but saw at a festival like the 90’s Canadian touring Edgefest and were blown away. Sure there were bands that you have listened to for years, but pound for pound this band is the treat on the bill. They give me that kind of feeling. They are more than what I expected.

‘It Isn’t Enough’ opens with the title track of the record and if I have one objection to the record it’s minor things in this song. Personally I think that the opening guitars in this track and opening vocals should have both been double tracked. The singers (Allysia Kerney) vocals should be bigger and so should the opening guitars. Keep in mind those are just minor things. The record as a whole is very well done. Now that all that constructive criticism is out of the way, we can move on to the good stuff. Allysia’s vocal stylings really are perfect for the song. The song has a nice momentum to it that you can’t help groove to. Jeremy and drummer Mike Van Betuw really kill it on this track and Vic Roman has great stinging guitar solo that couldn’t be better suited for the song.

I love how this band pulls from what I can only imagine was a shit ton of influences. There is some 80’s and 90’s stuff in here but it still remains really modern. Keys open the second song ‘I Have a Beautiful Dream’. The vocals on this track are thick but sexy. The keys mixed with Vic’s clean sounding guitars create a crisp full sound. The track has an atmospheric sound with a steady rhythm that is full and gripping. It peaks just when it should. It’s a slow dancy number that the kids will cry for.

The last track on the record ‘You Are’ is probably me favourite. Kind of a Rainbow Butt Monkeys meets Holly McNarland kind of vibe. I broke two sticks playing air drums to this one. ‘You Are’ is an up tempo ditty made for the charts.

The Criminal Kid are a band that have discovered how to make their own sound that is that is likely to appeal to anyone. It’s pop, rock, dark and fun all at the same time. They have well written songs that are sure to hit homeruns with any listener. I wouldn’t change a thing about this band. I look forward to a full record from these talented Regina rockers. I can’t wait to see these guys live… can’t wait!

Below is a real treat, a scaled down acoustic of The Criminal Kid's new track 'Little Wind'.

http://www.thecriminalkid.ca/

http://www.facebook.com/TheCriminalKid

Cheers Rockers,