T.B. Judd - Hometown Bar

T.B. Judd is a side project of multi-instrumentalist Judd Stachoski (Bystanders/Dustin Ritter Band/Black Drink Crier). Hometown Bar is a six song EP in which Stachoski wrote entirely himeself. He shows his talent and versatilty by recording all the instruments himself on the record. Hometown Bar is a fine record that was produced and engineered by Orion Paradis at SoulSound studios here in Regina.

The ever eclectic songwriter known simply as Judd on posters around town has blended his natuaral songwriting abilites with demostrating a great amount of respect for one of his influences, Tom Waits. The record starts with a storytelling song 'Hometown Bar,' which is a great example of this brand of bluesy singer/songwriter stylings. In 'Hometown Bar' I picture everything the vocalist is saying, just as I do when I here 'A Boy Named Sue'. That's true talent. Next on the docket is the eerie accordian number 'The Baiton House'. I think I'd be looking behind me if I was listening to this on a dark walk home. I've heard Judd perform songs before that are similar to the next folky ditty entitled 'Roots'. Those songs are a real treat and this one is as well. It's nice break about home and the land we live in before going into the next number. 'Cant' Do This Anymore' goes back to a more theatrical sound. The last two tracks have a more stripped down feel. The first being a story song 'Forest Groans' followed by 'High On The Mountains' which is a bare bones banjo number.

Hometown Bar is a fresh 6 song EP with strong, well written songs. If you are are a fan of roots, folk, blues, singer/songwriter or just great handcrafted songs then this records is for you. Do yourself a favour and pick up a copy.

http://www.myspace.com/tbjudd

Cheers Rockers,

WINNING AMERICA - The Story of a Canadian Band Trying To Make It In The States.

Here at SPUN, we write about many bands that peak our interests (and the odd one that doesn't. We're looking at you Nickelback...) However, the main goal has always been to promote bands (typically Canadian and from the 'Vag) that some of us may know about but deserve much more exposure. Well, Vancouver's Said The Whale is attempting to break the potentially huge American market at one of the biggest and most iconic music cities in the world: Austin, Texas at SXSW. The CBC decided to document the process of this amazing band trying to make their name south of the border...

Here is what CBC had to say about the documentary:

WINNING AMERICA

The Story of A Canadian Band. Trying To Make It In The States.

This CBC Documentary follows Vancouver band Said The Whale to South by South West Festival (SxSW) in Austin, Texas. It’s a true story about the hardships and successes of a touring band trying to make it at the biggest music festival in North America.

Produced by Jon Siddall (CBC Radio 2) & Brent Hodge (CBC Radio3)

Directed by Brent Hodge (CBC Radio 3) & Thomas Buchan (Battle Of The Bagpipes,Hope)"

Please do yourself a favour and check out the trailer and live clip below.

Said the Whale Live Performance Video:

Cheers!

Frankie Whyte and the Dead Idols - Wastedland

It's no secret I dig Frankie Whyte and the Dead Idols. I have been following this kick ass rock 'n' roll band since March of 2008 when I was Myspace surfing for new bands to check out. I stumbled across them and I really dug what they were doing right away; a blend of the old and the new. Fast-forward to 2011 and I am still checking out the new updates of FWDI.

Frankie and her Canadian merchants of noise recorded and put out a solid self titled EP back in '08. That record got a lot of play around my place. However, it was only to be the start. The band has really hit their stride in the last couple years. It started with 'Bullets' and 'Right There' and I didn't think they could top 'Right There'. That being said, they knocked it out of the park with their first official video for 'Keep on Walkin''. When I thought that was going to be the pinnacle, they prove me wrong with their latest cunning stunt: their brand spanking new single for 'Wastedland'. 'Keep on Walkin' was/is a killer anthemic rock 'n' roll song and so is 'Wastedland'. Written by FW, Simon Wilcox and Aaron Kamin (The Calling) and shot in June of this year, one should note that 'Wastedland' takes their sound, songwriting skills and musicianship to the next level. It's this kind of effort that will be the key that should lead them to being arena rock sensations. This heavy pop 'n' roll song has hooks left and right that will be stuck in your head for days. You know it's a good song when it becomes an instant sing-a-long. Wastedland is tough and graceful, has rippin' riffs, a pretty melody with a big chorus.

FWDI seem to up the ante each time they lift a finger. I don't know what will be on a full length record when it comes out but one has to know at this pace, it's got to be a sure fire hit.

Check it below. I have had it on repeat for over a week.

Cheers Rockers,

Free Download (valid until July 21) http://wastedland.viinyl.c​om/

Lindi Ortega - Little Red Boots

10 years after her debut album, Toronto's Lindi Ortega seems ready to finally break through and gain the commercial attention she deserves. I stumbled upon her music on MySpace (remember MySpace?) three or four years ago and was instantly taken in by her stunning voice. This woman could sing the phone book and the crowd would be transfixed. I hate to make comparisons, but Ortega's pipes are a beautiful blend of Dolly Parton, Jeff Buckley and Emmylou Harris.

Aside from her mesmerizing voice, Ortega proves that she is one helluva songwriter with Little Red Boots. From start to finish, this album is pretty much flawless. The predominant feel is rootsy alt-country, with a bit of bluegrass, folk and blues thrown in for good measure. You can tell that Ortega's record collection includes plenty of old school country artists like Dolly, Waylon, Willie, Johnny and Merle. (It's sad that real country nowadays is referred to as "alt-country" while Taylor Swift and Shania Twain are "country." But I digress.)

Album opener "Little Lies" is an uptempo country stomper, complete with some killer stand up bass. "Blue Bird" is a fun, rollicking 2 minute bluegrass number with some impressive banjo picking throughout. "Angels" is a breezy, midtempo, rootsy tune that'll stick in your head for days, much like the rest of the album. "I'm No Elvis Presley" is a firecracker of a tune that is self-deprecating, yet manages to raise the middle finger to her detractors ("I'm no Elvis Presley, so who the hell are you?"). I'm pretty sure anyone who has stepped onstage can appreciate this song.

Ortega's 12 original tunes would make an incredible album by itself. However, she closes the album with an absolutely transcendent version of my favourite Bruce Springsteen song, "I'm On Fire." If your heart doesn't melt and the hairs on the back of your neck don't stand after hearing this version, then we can never be friends. This is hands down one of the finest recordings I've heard in years. Period. What a perfect closer to a pretty perfect album. This is easily one of the top 5 best albums of the year so far. And in a year that's seen releases by PJ Harvey, R.E.M., The Strokes, Steve Earle, etc, that's saying a LOT.

You can check out her video for "Angels" and a live version of "I'm On Fire" below.

No Fly List – Blaze On

I recently acquired a No Fly List record called ‘Blaze On’. It’s a rock’n’roll record that was released by the Ottawa trio this past April. Originally starting as a jam band, the No Fly List quickly had momentum building around their area. They have been playing local venues, which originally consisted of showing up for open mic nights. It quickly turned into a serious band selling out Irene’s Pub in Ottawa for the release of their debut record.

Blaze On is a rock’n’roll record, and a solid one for sure. It opens with ‘4 Chords Away,’ which is a very Canadian song. Think 54-40 meets Blue Rodeo. It’s rockin’ and hooky with fun riffs all over the place. Next up is a really smooth transition into ‘A Secret Amongst Friends’. To me, it’s the mellower singer/songwriter sister of the first track. Next is ‘Shock Therapy’, and it’s the tastiest track on the record. It’s definitely the danciest. Almost at the midpoint of the record is ‘Up For Air’ which is an instrumental ditty reaching just over a minute in length. I would describe it as atmospheric, classical pop. Following this is ‘Ambush,’ an acoustic lament turned shoegaze-style song that is almost epic in quality. It’s nice how the clean guitars mesh with distorted guitars. It never gets out of control which is good. It’s not too much and stays within the realm of what it should be. The next three songs stay on the mellower side of things with ‘Blaze On’, ‘Upstate’ and ‘Ambush (Reprise) which are all good songs in their own right. ‘Self Discipline’ picks it up again with a fun feelin’ bass heavy rock track. Lastly is a track which showcases the band's musicianship and songwriting abilities.

Overall ‘Blaze On’ is a strong debut record from the No Fly List. I really think their strengths lie in their alternative rock’n’roll style of songs. That being said, the songs on the lighter side still hold their own. I can only imagine that the No Fly List puts on a hell of a show. One could expect that the rockin’ tracks are full of energy and the mellower ones are as captivating as all hell.

Highlights: 4 Chords Away, A Secret Amongst Friends, Shock Therapy and Self Disciplined

I look forward to seeing the boys in action. If you are in the Ottawa area you are in for a treat because you can do just that. The No Fly List play at the Elmdale Tavern on June 30th located @1084 Wellington St W in Ottawa with Life in 2D opening.

Cheers Rockers,

www.noflylistmusic.com
www.facebook.com/noflylist
*listen here: http://noflylist.bandcamp.com/album/blaze-on

The Criminal Kid: It Isn’t Enough

I have known of The Criminal Kid for some time but just haven’t had the chance to see them. I have wanted to, it’s just one of those things. This past Saturday I went to the Artesian see a local band ‘Chad Kichula and the Douglas Avenue Garage Band.’ While Chad put on a good show, I was disappointed to find out the CK had opened and I had missed it. I was however fortunate to run into the bass player of The Criminal Kid, Jeremy Pilon and received my copy of the bands ep ‘It Isn’t Enough’.

The Criminal Kid I am told, have transformed into something different than what they originally set out to be. Having known a couple of the members previous projects, when I am told they used to be a band that was on the hard side and toned it down and become more a rock’n’roll band I knew exactly what they meant. The Criminal Kid can only be described as that band you never knew but saw at a festival like the 90’s Canadian touring Edgefest and were blown away. Sure there were bands that you have listened to for years, but pound for pound this band is the treat on the bill. They give me that kind of feeling. They are more than what I expected.

‘It Isn’t Enough’ opens with the title track of the record and if I have one objection to the record it’s minor things in this song. Personally I think that the opening guitars in this track and opening vocals should have both been double tracked. The singers (Allysia Kerney) vocals should be bigger and so should the opening guitars. Keep in mind those are just minor things. The record as a whole is very well done. Now that all that constructive criticism is out of the way, we can move on to the good stuff. Allysia’s vocal stylings really are perfect for the song. The song has a nice momentum to it that you can’t help groove to. Jeremy and drummer Mike Van Betuw really kill it on this track and Vic Roman has great stinging guitar solo that couldn’t be better suited for the song.

I love how this band pulls from what I can only imagine was a shit ton of influences. There is some 80’s and 90’s stuff in here but it still remains really modern. Keys open the second song ‘I Have a Beautiful Dream’. The vocals on this track are thick but sexy. The keys mixed with Vic’s clean sounding guitars create a crisp full sound. The track has an atmospheric sound with a steady rhythm that is full and gripping. It peaks just when it should. It’s a slow dancy number that the kids will cry for.

The last track on the record ‘You Are’ is probably me favourite. Kind of a Rainbow Butt Monkeys meets Holly McNarland kind of vibe. I broke two sticks playing air drums to this one. ‘You Are’ is an up tempo ditty made for the charts.

The Criminal Kid are a band that have discovered how to make their own sound that is that is likely to appeal to anyone. It’s pop, rock, dark and fun all at the same time. They have well written songs that are sure to hit homeruns with any listener. I wouldn’t change a thing about this band. I look forward to a full record from these talented Regina rockers. I can’t wait to see these guys live… can’t wait!

Below is a real treat, a scaled down acoustic of The Criminal Kid's new track 'Little Wind'.

http://www.thecriminalkid.ca/

http://www.facebook.com/TheCriminalKid

Cheers Rockers,

The Cars - Move Like This

The Cars' catalogue has always remained current and fresh to me. They have never sounded liked dated 80’s music to me. So when I heard that Ric Ocasek and the band had reunited and were going to release a new record entitled ‘Move Like This’, I was unsure what to expect or what it was going to sound like. Were they going to sound tired or try to go in a new direction and be something they aren’t? Bands like BTO (now just Bachman and Turner) and Trooper just can’t seem to pull off relevance anymore. Maybe that’s a bad example since to me those bands were always just 3’s dressed up as 9’s. Nonetheless, when I think of those bands, the first thing that comes to mind is “Oh great, more rehashed, tired old crap”.

Not the case with the Cars, however. ‘Move Like This’ beams into 2011 as fresh and relevant as they ever were. The only difference is that now the artists that were inspired by the band that recorded albums such as their self-titled record and ‘Heartbeat City’ can now hope to share the stage with them. ‘Move Like This’ is the comeback that makes 1987’s ‘Door to Door’ album forgivable. They picked up were their peak left off and put out a modern new wave record that is worthy of any Cars fan. In the 70’s and 80’s, the Cars made really great complete songs and have done so again. This album could have come out in 1988, 1998, 2008 or as it has now. It doesn’t matter when it was released because the Cars have put out a fresh record that is not dated and is stylized in their classic sound. That is everything I would want in a new Cars record.

While the late Ben Orr’s physical contributions are not there, his spirit is definitely on the record. The song ‘Soon’ is very reminiscent of ‘Drive’ and ‘Sad Song’ let’s us know that this is still the band your best friend's girl listened to. That being said, ‘Keep On Knocking’, ‘Too Late’ and ‘Hit’s Me’ are my personal favourites. The record is an instant classic for any Cars fan (or for any rock’n’roll fan in general for that matter). If I had to pick one that I don’t dig as much as the rest, it would be ‘Blue Tip’. I like it, but it seems a little like an 80’s novelty song one would get sick of. A little too talky sounding in combination with the synth is what I think gives me that vibe. Again it’s still a great tune.

Minus Ben Orr, the original band is still intact with Ric Ocasek on rhythm guitar/vox, Elliot Easton on lead guitar, Greg Hawkes on keyboards/synth and David Robinson on drums. ‘Move Like This’ is simply a record you must pick up. Ric Ocasek has done what many bands have forgotten how to or never have known how to do, and that’s write great pop rock’n’roll songs where the songs themselves are the focus. There is not one bad cut on the record which is pretty impressive for a band in their late 50’s and early 60’s.





Cheers Rockers,